While the rich Swedish family celebrates the birthday of their patriarch Alexander (Erland Josephson, shouts and whispers), the news of the outbreak of the Second World War reaches their remote Baltic island – and a happy mood turns into horror. The family descends into a state of psychological destruction, a sparkling gray -arrest Tarkovsky palette that is drunk on the dark landscape around their home. (Master cinema of the film is Sven Nyklist, a long -standing partner of Ingmar Bergman). For Alexandra, the philosopher tormented the lack of spirituality of man, the appearance of a certain extinction is forced to the final sacrifice and enters the Faustan offer with God to save his loved ones from the fear that attracts them. The director’s latest film, made during the death of Cancer, is the victim of Tarkovsky’s personal declaration, a deeply touching tragedy and redeemed suffocated in unforgettable images and cardiac emotions.
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